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Theaddition of the 8 Voice Programmer module allowed the user to recreate one ofmost rare and expensive polysynths of the 70’s, the Oberheim 8 voice. With SEM V Arturia brought forth the uniquesound of the constantly variable filter and oscillators the original SEM had. In fact, Jupiter-8V sounded the way it looked: “sleek andpolished”.After Jupiter 8V came Oberheim SEM V.
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The Jupiter-8Vwas capable of creating very versatile sounds: You could easily make “fat” or“crystal” sounds with it. This powerful hybrid gives you two instruments in one: itcombines the warmth of the legendary Prophet 5 programmable analog synth withthe unique Vector Synthesis textures of the digital Prophet VS.At the summer 2007 NAMM Show Arturia launched the Jupiter-8V.
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This is afaithful reproduction of the ARP 2600 and is great for just about any sound onemight wish to create: everything from drum n’ bass stabs to Star Wars’ R2-D2 soundshave been made with the ARP.At the Winter NAMM Show 2006, Arturia announced the release of its seventhproduct: the Prophet V. Arturia was quite happy to oblige, and has responded with awell-rounded list of the most loved synthesizers of all time.The CS-80V emulated the legendary Yamaha CS-80, considered by many as "theultimate polyphonic" synthesizer, and was launched at the AES 2003 in New York.ARP 2600V was launched at the Winter NAMM Show 2005 in Anaheim.
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Artists around the globewere beginning to see the advantages of a software alternative to hardwarebased synthesizers. Many of them explained how they were planning to replacetheir original hardware synthesizers with virtual instruments. The launch ofthis sound powerhouse was an instant success, winning awards from several topmagazines, and leading to the development of other synth recreations.Shortly thereafter, Arturia started receiving many requests from musicians,producers and bands. Atthe 2002 NAMM show in California, Arturia shared an early version of what wouldlater be the Modular V synthesizer: a recreation of the classic 60’s modularsynthesizer that set the foundation for all synths to come.In seeking insight from sound production experts as well as avid synthesizer users,Arturia was able to ensure the quality of the instruments they made. Nearly ayear after they began work on the algorithms, Arturia was ready for feedback. In non-technical language, this is an unprecedented wayof analyzing and recreating the analog circuits of the original product. They are known as TAE, short forTrue Analog Emulation. 46ARTURIA – Analog Lab – USER MANUAL5ġINTRODUCTION1.1HistoryEarly in 2001 Arturia began working on advanced algorithms for the digitalemulation of analog circuit audio characteristics. 30ARTURIA – Analog Lab – USER MANUAL4ģ.53.5.1Multi Mode: an introduction. 233.3.3Virtual keyboards: To each its own control section. 233.3.2Virtual keyboards: Common controls and features. 163.2.9Current preset and navigation arrows. 122.2.3Using Analog Lab 2 in plug-in mode.
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102.2.2Audio and MIDI settings : Mac OS X. 102.2.1Audio and MIDI settings : Windows.
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Please studythis manual carefully and consult your dealer before requesting service.ARTURIA – Analog Lab – USER MANUA元 Operate for long periods of time at a high level or at a level that is uncomfortable.If you encounter any hearing loss or ringing in the ears, you should consult anaudiologist.NOTICE:Service charges incurred due to a lack of knowledge relating to how a function orfeature works (when the software is operating as designed) are not covered by themanufacturer’s warranty, and are therefore the owner's responsibility. DO NOTARTURIA – Analog Lab – USER MANUAL2
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However, Arturia reserves the right to change or modify any of thespecifications without notice or obligation to update existing software installations.IMPORTANT:The product used in combination with an amplifier, headphones or speakers, maybe able to produce sound levels that could cause permanent hearing loss. – 1999-2016 – All rights reserved.30, chemin du Vieux Chêne38240 MeylanFRANCE Message SectionSpecifications Subject to Change:The information contained in this manual is believed to be correct at the time ofprinting. USER MANUALARTURIA – Analog Lab – USER MANUAL1ĭirectionFrédéric BrunKevin MolcardDevelopmentPierre-Lin LaneyrieValentin LepetitMathieu NocentiSamuel LimierStefano D’AngeloGermain MarzinBaptiste AubryPierre PfisterCorentin ComteBenjamin RenardBaptiste Le GoffSound designJean-Baptiste ArthusMarion DemeulemeesterJean-Michel BlanchetVictor MorelloManualHollin JonesCorentin ComteTomoya FukushiDesignMorgan PerrierGreg VezonSebastien Rochard ARTURIA S.A.